This was in the beginning of the day. Call time was 7am. Here we are shooting the road from a ways away. The steady cam operator is the guy in black. The camera was Super 16. I was in charge of the lenser (the black thing on the right). You need a lenser whenever light is flaring the lens. You know how you get that nice flare from the sun if you point a camera at it. Most films try to avoid that, so they use a lenser which covers up the light hitting the lens.